Editors Picks

Kiki Celine Relives Old Love in New Song “Old Love”

Love being the greatest emotion has never been an overstatement. However, when talking about what it means to love and...

SGaWD’s “Dump All Your Worries” Gets A House Makeover With DAVIESTHEROCKET

After the release of her sophomore project, Tha GaWD – Side A, Nigerian rap queen SGaWD, is back with a groovy...

Okadabooks’ End: A Setback or a Catalyst for Change in African Digital Publishing?

In 2013, in the heart of Nigeria’s bustling literary scene, a digital revolution was brewing. Author Okechukwu Ofili, armed with...

Orezi Unwraps ‘Chocolate Daddy’ EP: A Flavourful Fusion Of Sounds

It’s been an impressive eight years since Orezi’s debut album, ‘Ghen Ghen LP,’ and he’s back with a new musical...

Recent Posts

Laycon Confronts Growth and Uncertainty on “Reason”

Laycon turns inward on his latest release Reason, a reflective record that grapples with the tension...

The Good Wine Turn Toward Quiet Assurance on “Onumo”

London-based duo The Good Wine return with Onumo, an intimate worship record centred on presence rather than...

Alyn Sano Embraces Gratitude on Reflective New Single Amen

Rwandan artist Alyn Sano leans into gratitude on her new single Amen, a reflective offering built around...

26 Greatest Nigerian Love Songs for Your Valentine’s Playlist

We’ve rounded up the 26 greatest Nigerian love songs ever made. Which of these...

Is Anikulapo: The Ghoul Awakens the Worst Watch of the Year? (Probably, But These 5 Are Fighting for the Title)

We cannot, in good conscience, move past Anikulapo: The Ghoul Awakens until we have...

The Grammy Mirage: Why the Nigerian Obsession with Western Validation is a Losing Game

The morning after the Grammy Awards has become a recurring ritual of collective heartbreak...

The “Predator” Narrative: Is Wizkid Really Just Feeding Off the New School?

If you’re seeing this, you’ve been deceived. You likely clicked because you wanted to...

Why Everyone Is Romanticising 2016 Right Now

Open TikTok or X and 2016 will eventually find you. A clip of someone...

Does Shoday Deserve Mainstream Attention With His Kind of Music?

Dismissing Shoday’s sound as ‘music for lash techs’ isn’t a critique of quality, it...

Shoday Kicks Off 2026 With New Single ‘Paparazzi’ Featuring FOLA

Fast-rising Afrobeat star, Shoday has recently released his debut single for the year, ‘Paparazzi,’...

Culture

Is Anikulapo: The Ghoul Awakens the Worst Watch of the Year? (Probably, But These 5 Are Fighting for the Title)

We cannot, in good conscience, move past Anikulapo: The Ghoul Awakens until we have properly addressed the cinematic travesty that...

Why Everyone Is Romanticising 2016 Right Now

Open TikTok or X and 2016 will eventually find you. A clip of someone driving through traffic with an old...

How Susan Pwajok’s Short Film, ‘Laraba and Balarabe,’ Exemplifies The Twisted World of Modern Dating

Modern relationships often present a distorted and emotionally volatile landscape. What passes for connection is frequently marked by toxicity, manipulation,...

Inside the Afrobeats Economy: How Much Do Nigerian Artists Really Earn From Streaming?

Afrobeats is everywhere right now. Stadium tours are selling out, playlists are full of Nigerian records, and the diaspora has...

10 Nigerian Artists That Have Starred in Nollywood Movies

Nigerian Artists in Nollywood Movies – 10 Unforgettable Roles You Need to See For years, the Nigerian entertainment industry has...

How Susan Pwajok’s Short Film, ‘Laraba and Balarabe,’ Exemplifies The Twisted World of Modern Dating

Modern relationships often present a distorted and emotionally volatile landscape. What passes for connection is frequently marked by toxicity, manipulation,...

Seyi Vibez’s Fuji Moto: The Power, The Promise, and the Parts That Don’t Connect

Seyi Vibez has spent the last two years turning relentless output into identity. Multiple projects, endless singles and a street-pop...

One Year Later: How Wizkid’s Morayo Became a Quiet Legacy Marker

A year after its release on 22 November 2024, Wizkid’s Morayo reads differently from its arrival moment. When it dropped, the conversation...

Nonso Amadi’s “TO CRY A FLOOD” Is Heartbreak in Motion

Nonso Amadi’s To Cry A Flood is a study in emotional discipline. Six tracks, sixteen minutes, and a rare sense of control....

King Perryy Unleashes Continental Rave, a High-Energy EP Built for Detty December

King Perryy has never been an artist who settles in one lane, and with Continental Rave, he doubles down on his...

Music

Laycon Confronts Growth and Uncertainty on “Reason”

Laycon turns inward on his latest release Reason, a reflective record that grapples with the tension between ambition and uncertainty. Rather than...

The Good Wine Turn Toward Quiet Assurance on “Onumo”

London-based duo The Good Wine return with Onumo, an intimate worship record centred on presence rather than power. Translating to He is with me,...

Alyn Sano Embraces Gratitude on Reflective New Single Amen

Rwandan artist Alyn Sano leans into gratitude on her new single Amen, a reflective offering built around acknowledgement rather than assertion. Instead of...

26 Greatest Nigerian Love Songs for Your Valentine’s Playlist

We’ve rounded up the 26 greatest Nigerian love songs ever made. Which of these is your forever favorite? The greatest...

The Grammy Mirage: Why the Nigerian Obsession with Western Validation is a Losing Game

The morning after the Grammy Awards has become a recurring ritual of collective heartbreak for the Nigerian music industry. Once...

The “Predator” Narrative: Is Wizkid Really Just Feeding Off the New School?

If you’re seeing this, you’ve been deceived. You likely clicked because you wanted to see another veteran artist dragged for...