It’s undeniable that we’ve witnessed the journey of the young boy from Ojuelegba who started with Fast Money, Fast Cars and blossomed into a global phenomenon. Wizkid’s story is as much about his evolution as it is about his music. Over the years, Ayodeji Ibrahim Balogun has matured—not only in sound but also in personality and artistic expression. With his sixth studio album, Morayo, Wizkid continues to prove why he is an artist worthy of acclaim, a true master of his craft.
Coming in the wake of his beloved mother’s passing, Morayo is both a eulogy and a celebration—a heartfelt tribute to a life well-lived. On first thought, one might expect a somber project, one drenched in melancholia and reflection. But Morayo defies expectations. The album is aptly named, translating to “I Have Seen Joy” in Yoruba, and it carries a celebratory tone that is both unexpected and refreshing.
The opening track sets the tone with an infectious party energy, immediately pulling listeners into a state of jubilation. For a project rooted in loss, this opening is a bold choice. Wizkid rejects the conventional narrative of grief, choosing instead to lean into joy, ecstasy, and life’s brighter moments. He has always been an artist who dances to the beat of his own drum, and Morayo reaffirms his refusal to conform to expectations.
The initial rush of excitement from “Troubled Mind” transitions smoothly into “Karamo,” where the album’s purpose becomes clearer: joy is the central theme. The irony of a title like “Troubled Mind” juxtaposed with its vibrant energy reflects Wizkid’s knack for flipping the script. This joy carries into “Bad Girl,” his collaboration with Asake. While not a reinvention of Asake’s “MMS”, the track brims with enthusiasm, powered by percussion-heavy melodies that echo the album’s jubilant opener.
Morayo blends elements of Wizkid’s past with his present artistry, merging seductive French influences with R&B and highlife. It’s a balanced cocktail of nostalgia and reinvention. Tracks like “Time” take us back to the Wizkid we grew up on, offering an unadorned sound that focuses on the beauty of a woman rather than the gbedu we’ve come to expect.
At this point, it becomes clear what Wizkid intends to achieve: to satisfy his longtime fans while carving out his current identity as an artist. Tracks like “Piece of My Heart” with Brent Faiyaz showcase his mastery of blending soulful rhythms with Afrobeats. Meanwhile, “Break Me Down” reminds listeners why Wizkid is often regarded as a “sound god.” The track is a seamless fusion of stealthy rhythms and infectious vocals, sinking deep into your consciousness with ease.
Wizkid’s evolution is perhaps most evident in “A Million Blessings” and “Apres Minuit.” The former strikes a fine balance between the Wizkid of old and his current sound, while the latter introduces a French flair that feels luxurious and indulgent. Featuring Tiakola was a brilliant choice—his French verse adds a layer of sophistication, like a scoop of velvety vanilla ice cream melting on the palate.
The features on Morayo are intentional and well-curated, showcasing chemistry rather than clout. From “Bad Girl” with Asake to the sultry “Bad For You” with Jazmine Sullivan, every collaboration feels purposeful. “Bad For You,” in particular, feels like a timeless classic—reminiscent of 90s R&B, it’s the kind of track you’d imagine cruising to in a sleek Peugeot 504, wearing silk shirts and vintage jeans.
“Bend” is another standout, reviving memories of the chaos that was “Bend Down Pause” with Runtown, albeit with a more refined touch. Tracks like “Soji” and “Don’t Care” further showcase Wizkid’s willingness to test new waters. While the latter strays from his typical style, it highlights his knack for crafting tracks that feel fresh yet familiar.
Critics might argue that Wizkid’s recent releases share a similar vibe, with his signature background vocals giving his songs a somewhat homogenous feel. While this observation holds some truth, closer listening reveals nuanced distinctions. Wizkid’s consistency, rather than monotony, is what defines Morayo.
The album’s final track, “Pray,” is where Wizkid truly opens up. Reflecting on his humble beginnings, his global fame, and his mother’s unwavering belief in him, the song is a poignant reminder of the love and warmth that inspired this project.
Morayo encapsulates everything Wizkid represents—his roots, his growth, and his artistic mastery. It blends R&B aesthetics with Afropop roots in a way that feels intentional and authentic. While comparisons to Made in Lagos are inevitable, Morayo stands on its own as an attestation to Wizkid’s evolution and his refusal to rest on past laurels.
This is more than just an album; it’s a declaration that joy, in all its forms, is a powerful tribute. Wizkid’s lovers will undoubtedly find solace in knowing that their Starboy remains at the peak of his artistry, delivering work that resonates deeply while breaking new ground. Morayo is, in essence, joy redefined.
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