Album Review
The “Predator” Narrative: Is Wizkid Really Just Feeding Off the New School?
If you’re seeing this, you’ve been deceived. You likely clicked because you wanted to see another veteran artist dragged for...
Shallipopi’s ‘Auracle’ Album Review: His Best Yet or a Western Gamble?
Very much has been expected of Shallipopi, yet also at the same time, nothing much has been expected of him....
Seyi Vibez’s Fuji Moto: The Power, The Promise, and the Parts That Don’t Connect
Seyi Vibez has spent the last two years turning relentless output into identity. Multiple projects, endless singles and a street-pop...
Peruzzi Finds Peace and Power on “Sabali” — A Comeback Rooted in Calm
Peruzzi has always written like someone who’s lived many lives. The hits, the hooks, the heartbreaks — from “Majesty” to...
Tiwa Savage Unwraps Her Vulnerability in New Album, “This One Is Personal”
With Tiwa Savage, Who Needs SZA? Tiwa Savage has always been positioned as that IT girl. Just like every legendary...
Second Time’s the Charm on Mádé Kuti’s Chapter 1: Where Does Happiness Come From
Mádé Kuti’s second act album is a jazzed-out search for happiness literally, and does not necessarily rely on lyrics for...
Is ‘No Sign Of Weakness’ Burna Boy’s Revisit To His Roots?
On No Signs of Weakness, Burna Boy embraces unpredictability and attempts to reconnect with the version of himself only day-one...
How Qing Madi’s “I Am The Blueprint” Fails To Establish Her as a Blueprint
Despite the claims that female Nigerian artists aren’t thriving in the industry, the reigning queens of today beg to differ—there’s...
What Does Asake’s ‘Lungu Boy’ Show? Versatility Worth It? Or Chaos Best Hidden?
It might be Asake’s creativity that endears him to his fans and probably not just his music. The thing about...
